The work is grouped two ways. By series — sets of frames that were made together and hang together. And by place — if you already know you want Iceland, or the Rockies, start there.
Colorado
The home ground: the Front Range, the high country of Rocky Mountain National Park, and the open plains east of the divide.
- Continental Divide — five winter frames from Rocky Mountain National Park, made on foot across frozen lakes. Granite, snow and cloud, with people in the frame only where the scale needs them.
- Winter Silence — six high-key frames made during heavy snowfall, where falling snow flattens depth and mutes every edge.
- Moraine Park — six frames from a snowed-in valley where low cloud compresses everything into grey-green and a single tree does most of the work. Elk appear as marks in the snow rather than subjects.
- Fire Scarred — seven frames of burnt timber, from close abstract studies of charcoal and silvered grain to a wide view of the whole burn with the Front Range behind it.
- High Plains — five frames from the Pawnee National Grassland out east, where the buttes are chalk and the shortgrass goes gold by late summer.
- Golden Waters — mornings when fog came off warm water into cold air and the low sun turned everything amber. The warmest work here.
Iceland
- Ice and Ash — five frames where glacier ice grounds on black volcanic sand and basalt columns meet the North Atlantic. Cool, low-contrast, built almost entirely from blue, grey and near-black.
- Iceland's South Coast — five frames from the same coastline in a different register: waterfalls between moss-covered cliffs, a lighthouse on its headland, and the sea stacks off Reynisfjara.
Portugal
- Portugal — eleven street frames from Lisbon and Porto. Doors, stairways, tiled corners, and the Douro at both ends of the day.
- Lisbon Trams — five frames built around one colour: the yellow of Lisbon's trams against grey stone, ochre plaster and worn cobbles. The brightest, most saturated work in the catalogue.
Florida
First Light — seven frames from the Atlantic coast, where low tide exposes coquina rock and bright green algae grows in the seams. An unusual colour pairing: startling green against grey stone and pink sky.
How to choose
If you want one piece that carries a room, look at the largest frame in any series — they were composed with space in mind.
If you're filling a wall, take a series. They share palette and proportion by design, so they hang together without any effort on your part.